Flower crowns, woodland animal boutonnieres, bowties, baby’s breath, cupcakes, sequins, animal masks, balloons, an ombre cake, kombi vans, proteas, handmade EVERYTHING, so much candy, and many, many owl statues. What more could a couple of night owls like us want in a wedding!

So much more to come!

Colour grading done in Davinci Resolve. Originating footage from Red, Blackmagic Cinema Camera, and 5D MKii and MKiiis.

BMCC – Auckland City

This is various footage of my amazing girlfriend Danelle (the better half of “A Couple Of Night Owls”) and other people walking around Auckland over various days (in-between busy work schedules) since i first got my Blackmagic Cinema Camera. I shot at various times of the day to see how it would handle, including under the middle of the day “brutal” NZ sunlight. I really can’t believe how well the camera handled those situations – the dynamic range is amazing. I shot at spots we have taken stills at before on our 5Dmk3′s, and to put it bluntly the BMCC kicked it’s ass! It was able to retain so much more information in shadows/highlights compared to our stills, i really wasn’t expecting this even though there has been much talk about the dynamic range of the camera.

Blackmagic, I think you’ve done an amazing job with this camera. Yes, everyone is waiting for certain firmware updates and OLPF’s etc, but the core image/colour is just fantastic. There were no lights/reflectors/diffusers used in any of this footage and I really can’t wait to shoot some stuff with more ‘controlled’ lighting. There have been concerns about the ‘small’ sensor and getting shallow depth of field (I had them too), but what I’ve found is that not only does “deep DOF” look great from this camera, but shallow depth is completely possible and looks equally great. Getting “wide” shots in tight small rooms with some shallow depth may be trickier (you need fast/wide/good glass) but otherwise it’s no real concern.

This footage is a mixture of RAW and Prores (RAW until around 1:15, then prores until the end – BMDFilm used for both) and they definitely have a slightly different look. RAW is full of detail and colour, but I also love the prores and I think in some ways it looks more “filmic” than RAW (dare I say it!). Some of the footage was also shot before I had built my shoulder rig and I was only using the screen on the back of the camera, but most was using my shoulder rig and there’s a couple of (poorly executed) glidecam shots (I don’t recommend trying it without a vest!! Thanks again to the Atkins brothers for the glidecam vest and Si Moore for the HD4000).

Lenses used:
• Canon 14/2.8L
• Canon 35/1.4L

Tiffen WW ND1.2 / IRND1.5 4×4

Graded in Resolve, “assembled” in Premiere (hardly what I would consider an ‘edit’ )

Music (used with permission) by the amazing Ben King from the Grand Rapids‘ album “Faintheartedness” (which I also had the extreme pleasure of mixing!)

BMCC Goes to Bootcamp

My first test shooting Prores on the BMCC – My friend Tumehe runs a bootcamp here in Auckland, NZ so me and a couple of friends used it as an opportunity to test out the camera (it was their first time shooting on the BMCC and my first time shooting Prores with it – all my previous tests were shot RAW). I pushed the limits of exposure shooting this (both under and over) and learnt a lot in the process by seeing where I could take it later in grading.

Thanks to Mike Braid + Grant Findlay for hanging out and shooting with me, Ryan Baigent from Locus Creative for the Jib, the Atkins bros for the Glidecam Vest, Si Moore for the HD4000, and Mike Viskovich for the edit. Music (used with permission) by Tumehe.

Lenses used:
• Canon 14/2.8L
• Canon 35/1.4L
• Canon 50/1.2L
• Canon 100/2.8L

Tiffen WW ND1.2 / IRND1.5 4×4

Shot in 30fps, conformed to 25fps for a slight “slow motion” effect.

Graded in Resolve.

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Also, this is his BMCC rig so far…

The rig is actually pretty well balanced (thanks to the hyperdeck shuttle and switronix sitting on the back), Hook thinks he could improve it by getting the BMCC further back onto his shoulder. The only piece in this rig that isn’t his is the actual shoulder pad (shoot35), which he’s borrowing from Mike (cheers!). Hook tested Mike’s shape shoulder pad too, which allows the BMCC to sit more on the shoulder so he may go for that. Not sure yet.

Hook also used a redrock offset at the front to get the zacuto grips more central to my body, which makes operating much more comfortable for him (you can see his DP6 in that picture too).

I (Danelle) had the pleasure of joining the girls while they got ready in Lisa’s parent’s lovely home in St Heliers. There were laughs, tears, sandwiches, hugs, smiles. All of the good things. I think my favourite moment of the getting ready stage is when the father of the bride first sees her in her dress. Oh, that moment. It sure is a tear jerker! All the while, Hook is hanging out with the boys as they have brunch at Shaky Isles and then they headed on down to the driving range to hit some balls. Turns out the driving range is the best place for throwing competitions and push ups. Who would have thought!

Lisa + Adam said their I do’s in the wonderful St Andrews Church in Mission Bay. The ceremony was beautiful, and before we knew it we were off to the Wintergardens and reserve/lookout for photos. The reception was held at Hammerheads in Orakei. The sunset flooded in and really set the mood for the evening. At the end of the night, Lisa performed a traditional Samoan dance and all of Adam’s family joined in to dance behind her. So much fun to watch! And to finish up, Lisa + Adam’s first dance. What a beautiful way to end the day!

Photography: A Couple Of Night Owls
Ceremony Venue: St Andrews Church, Mission Bay
Reception Venue: Hammerheads
Bride’s Dress: Maggie Sottero from Strictly Bridal
Make Up: The Beauty Guru
Flowers: Flowers By Anna Sandford
Invitation and other Paper Goods: Bride and Groom
Cake: Mother of the Bride

A Couple Of Night Owls | Auckland, New Zealand Wedding Photographers